Christine Getz

Christine Getz
Professor
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http://academicmusiciowa.com

Christine Suzanne Getz, Professor of Musicology, Associate Director for Graduate Studies, Dean’s Scholar, and College of Liberal Arts and Sciences Administrative Fellow, received her Ph.D. from the University of North Texas. Her research interests include music, culture, and sacred music in early modern Milan. Professor Getz has been the recipient of a Rotary Foundation Graduate Fellowship (1988-1989), an NEH Summer Stipend (1993), an NEH Summer Seminar Fellowship (1994), a Fulbright (1998), and an Outstanding Teaching Award from Baylor University (1999). Her articles have appeared in BACH (Journal of the Riemenscheider-Bach Institute), Explorations in Renaissance Culture, Musica Disciplina, Arte Lombarda, Early Music History, Studi musicali, the Journal of the Royal Music Association, The Strauss Companion (Praeger Press, 2003), Barocco padano 3-7, the MGG, Barocco padano e musici francescani: l’apporto dei Maestri Conventuali (Centro Studi Antoniani,  2014), and A Companion to Late Medieval and Early Modern Milan: The Distinctive Features of an Italian State (Brill, 2014). Professor Getz is the author of Music in the Collective Experience in Sixteenth-Century Milan (Ashgate, 2006) and the editor of Hermann Matthias Werrecore: Cantuum quinque vocum quos motetta vocant…liber primus (1559), an edition of motets with introduction and critical commentary published by A-R Editions in 2008. Her recent book Mary, Music and Meditation: Sacred Conversations in Post-Tridentine Milan (Indiana University Press, 2013) received a subvention from the Hibberd Endowment of the American Musicological Society.